Monster romance · Romance · Romantasy
River Claim
by Owen Brennan
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The door of the reed hall was heavy and swollen in its frame, and Hesk had to put his shoulder into it. It gave with a scrape. The air inside was cool and damp and smelled like old paper.
"Boots," he said.
Lenora looked down at hers. The left one squelched when she shifted her weight. She pulled them off on the threshold and stood them against the wall beside a row of others, much bigger ones, and stepped inside in her wet socks.
It was one long room, longer than it looked from outside, with windows down both sides that looked out over the water. Shelves went from the floor to the rafters along the inside wall. They were full of books, hundreds of them, tall ledgers bound between wooden boards and tied shut with cord, each one with a strip of colored cloth knotted through the binding. Down the middle of the room ran a long table, scarred with knife marks and old ink, and at one end of it sat a big clay jar full of stacked paper. A cold iron stove stood in the corner with a kettle on top. Someone had left a battery lantern on the table and a pair of reading glasses folded beside it.
On a rack by the window, sheets of soft gray paper hung drying over strings, like washing. A card was clipped to the rack. In thick black letters, it said PARTIAL: CHANGE WHEN DARK.
"This is the hall," Hesk said.
"It's beautiful."
He looked at her as if that hadn't occurred to him. Then he lowered himself onto a bench against the wall, a bench built for someone his size, with his bad leg out straight. The packing she'd tied was dark at the edges. He put his hand over it and pressed and kept his eyes on her.
"Flood books are on the third shelf," he said. "Red cords. The year's on the spine. Gloves are in the second drawer of the table. You'll want them. They'll be too big."
They were. She found them in the drawer, cotton archive gloves like the ones she used at work, but cut for hands twice the size of hers. She rolled the cuffs back twice and her fingers still swam in the tips. She held them up to show him. He made a small sound through his nose that might have been a laugh.
"Told you," he said.
The third shelf was just within her reach on her toes. The red-corded books ran left to right by year, and she walked her gloved fingers along the spines until she found last year's. It was thicker than the others. She lifted it down with both hands and carried it to the table and set it on the dry end, away from the jar, and stood for a moment with her hands flat on the cover.
"What's the paper?" she said, without turning around. "On the rack."
"Drying paper. For wet pages." He shifted on the bench. "When a book gets wet, you put those between the leaves to pull the water out. Partial means half dry. You leave them in till dark, then change them for fresh ones."
"Why dark?"
"The hall's cooler at night. In the day the sun's on the river and the air gets wet in here, and you just trade one damp sheet for another. Tull says change them when it's dark or don't bother."
"Who's Tull?"
"She keeps the hall." He nodded at the reading glasses on the table. "Those are hers. She's the one who knows what she's doing. With legs, and with books."
"And she's downriver."
"Until the end of the week."
Lenora untied the red cord. Her fingers were clumsy in the gloves, and the knot was tight and old, and it took her a long time. Hesk didn't offer to help. She was grateful for that, and a little surprised.
She opened the book.
The pages were thick and slightly rough, ruled by hand in pencil, and the writing on them was mostly in one hand: big and square and pressed hard enough that it showed through on the back. Some of it was in their language, which she couldn't read. Most of it, the numbers and the boat names and the dates, she could.
Every day had a line. The date, then the height of the water at the hall's posts, in feet and inches. Then a column for the weather. Then a column for boats: which ones came up the river past the Bend, which ones went down, what they carried, what toll they'd paid. Some days there were twenty boats. Some days there were two.
She turned to the back of the book and started forward from January. She was counting the days without meaning to, under her breath, moving her finger down the water column. Winter was low and steady. In March the numbers started climbing. The first week of April they went up a foot a day.
Then, on the ninth of April, the column jumped.
It went from nine feet to fourteen in one line. Then sixteen. Then, on the tenth, a number written larger than the others and underlined twice: 19 ft 4 in. Beside it, in the weather column, was one word she didn't know, and in the boat column there was nothing at all. Just a long line drawn down through three days of empty boxes. In the margin someone had written, in English, No passage. Nothing moves.
Lenora sat down on the bench at the table without deciding to.
"Nineteen feet," she said.
"Nineteen feet four inches." Hesk's voice came from behind her. "At the hall posts. You saw the mark."
"The city book says no significant events."
"I know what the city book says."
She looked down at the page. She thought about Water Street, about the hardware store, the line of people passing bags in the dark. She thought about walking home through water up to her shins and thinking she had never seen it so high.
She got her field book and her pencil out of the satchel and started to copy.
She copied the water heights for all of April, every day, in a neat column, the way she would at work. Then the boat columns. Then the weather words, as best she could, letter by letter, though she didn't know what they meant. She drew a box around the tenth. When her hand cramped she shook it out and kept going. The gloves made her pencil slip. She took the right one off, then remembered where she was, and put it back on.
Behind her, Hesk was quiet. Once she heard him get up and limp to the window and stand there, and then limp back. Once she heard the bench creak as he leaned back against the wall.
"You can rest," she said, without looking up. "I'm not going anywhere."
He didn't answer. After a while she heard him let his head go back against the wall, and his breathing slowed, and she went on into May.
The water came down slowly in May. A foot every few days, and then less. The boats came back, a few at first and then more. She was halfway down the page for the second week when she found the first entry that didn't fit.
It was in a different hand, smaller and slanted, in grease pencil instead of ink, squeezed into the boat column on the fourteenth of May: City barge at the old channel mouth. Crane. Working after dark.
Then again on the fifteenth. City barge. Same place. Dumping.
And the sixteenth. Barge again. Dumping spoil from the dredge at the harbor. Three nights.
In the margin beside all three, in the same slanted grease pencil, pressed so hard it had torn the paper a little:
They will call this silt natural. It is not.
Lenora read it, and read it again, and then turned around on the bench.
Hesk was already watching her.
"Who wrote this?" she said.
"Tull."
"She saw them."
"Everyone saw them. They had lights on the crane. You could see them from the walkway." He was very still on the bench. "The flood cut the old channel deep again. Deeper than it's been in years. The city didn't want it deep. So they brought the barge up at night with the spoil from the harbor dredge, and they dumped it in the mouth of the old channel until it was shallow again."
"And then they wrote that there was no flood."
"Then the silt's been building up for years, naturally, and there's nothing to explain." He nodded at the book. "Tull wrote it down. Some of us went and told the checkpoint. The checkpoint said they'd pass it on."
"Did they?"
He looked at her.
She turned back to the page. Her hands were shaking a little, and she put them flat on the table on either side of the book until they stopped. Then she picked up her pencil and copied the three entries exactly, letter for letter, including the tear in the paper, which she drew as a small jagged line. She wrote the date and the page and grease pencil, second hand, T. beside each one.
At the bottom of the page she wrote spoil = from harbor dredge? and underlined it, and then sat looking at it.
She could check that. The harbor dredging had its own records, in another department, in another building.
"What?" Hesk said. He had sat up a little on the bench to see her face.
"They had to pay somebody to run the crane at night," she said. "There'll be a timesheet. Fuel receipts. Somebody signed for the barge."
He thought about that. Then his mouth pulled up at one side, under the broken tusk, and stayed that way for a moment.
Then he made a short, hard sound, and his face went gray.
She heard it before she turned around. When she did, he was bent forward over his leg with both hands pressed down on the packing, and blood was coming out from under his fingers again, dark and fast, soaking the cotton through.
"Hesk."
"It's fine."
"It's not fine." She was already up, already pulling the gloves off and dropping them on the table. "You stood at the window. I heard you. You stood up and walked to the window."
"I wanted to see the marker."
"You wanted to see the marker." She knelt on the floor in front of him. The floorboards were rough and cold through her wet skirt. "Take your hands away."
He did. The pad she had tied at the river had slipped sideways, and the deep end of the cut had opened again. She looked around the room for anything clean.
"The paper," he said. "In the jar. They're clean. Tull uses them."
She took a stack of the soft gray sheets out of the jar. They were thick as felt. She folded three of them into a pad and pressed down on the wound with the heel of her hand, the way she had at the river, and leaned her weight on it.
He sucked in a breath through his teeth and let it out slowly.
"If you bleed on the ledgers," she said, "I'll be very angry about the ledgers."
After a moment he laughed, low and short, and she felt it through her hands on his leg. She kept the pressure on. She didn't count out loud this time, but she counted, and she watched the edge of the gray paper slowly turn dark and then stop turning darker. When she lifted the corner at a hundred, the bleeding had slowed to almost nothing.
She cut the old cotton away with her scissors and tied the new pad on with a fresh strip, wrapping it twice around his thigh and knotting it higher this time, away from the crease of his hip, where it wouldn't slip when he stood. He held still for all of it.
When she pulled the knot tight and sat back, he put his hand over hers.
His hand came down slowly over the back of hers on the knot and covered it. This time he left it there. He was looking at her face.
"Say leave," he said quietly. "And I'll take my hand back. You're a guest either way. That doesn't change."
The hall was very quiet. Water moved against the posts somewhere under the floor. On the rack, the gray sheets stirred on their strings in a draft from the window.
Lenora didn't say leave.
She turned her hand over under his, slowly, until her palm was against his palm. His hand was rough and very warm. Her fingers came only partway along his. She could feel his pulse in the heel of his hand, big and steady.
"I still have the rest of May to copy," she said.
"Then copy."
"I need my hand back for that."
"You said you wanted to finish May." He didn't let go. His thumb moved once, across her knuckles, and then was still. "You didn't say now."
She looked at their hands for a long moment.
Then she stood up, slowly, and he let her hand slide out of his. She went back to the table and pulled the too-big gloves on again, and sat down, and found her place on the page. Her face was warm. She could feel him watching the back of her neck.
She copied the rest of May.
By the time she finished, the light coming through the windows had gone from white to gold to copper, and the river outside was the color of tea. Her hand ached all the way to the elbow. She had filled eleven pages of the field book.
She sat back and stretched her fingers inside the big gloves and looked down the length of the hall. On the shelves there were still the toll books, and the petitions, and a whole row of ledgers tied with blue cord that she hadn't asked about yet.
"What are the blue ones?"
"Petitions. Who can fish where. Who can cut reeds. Who pays when a boat loses a catch waiting at the lock." He had his head tipped back against the wall and his eyes half closed. "Every argument the Bend has had for two hundred years."
"Are any of them about the channel?"
"Most of them, one way or another."
She looked at the windows. The copper was already going gray at the edges.
"The checkpoint said I'm cleared until sundown tomorrow," she said. "If I go back tonight, I'll have the flood, and the barge, and nothing else. They'll say one ledger with someone's notes in the margin isn't evidence."
"Probably."
"If I stay, I can do the petitions in the morning. And the tolls."
Hesk opened his eyes.
"Guest right holds overnight," he said. "There's the other bench. There are blankets in the chest." He paused. "You don't have to decide yet."
Lenora got up and went to the rack by the window. The sheets had been hanging there all day, half dry. Through the glass, the river had gone dark and smooth, and on the far bank the yellow booth at the checkpoint had its light on, small and very far away.
She took down the first gray sheet. It was nearly dry.
"Show me where the fresh ones are," she said. "It's getting dark."